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Aix
Out of stock
£1,200.00 £1,200.00
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Description
The figure on the right is an ex-boyfriend who lives in Aix. He once proposed to me years ago. I am on the left and also in my painting dungarees bottom right. The French Resistance had a strong base in Aix and the figure walking is Simone Segouin who (although not based on Aix) was a resistance fighter with the Francs-tireurs et Partisans Group. One of her first acts of resistance was stealing a bicycle from a German patrol which she then used to help carry messages.

Size: 14.8" x 34.6" (37.5cm x 88cm)

On display in the gallery

Frequently bought together

The Artist

Melody Reynolds

My paintings explore the transient choreography of public life—those fleeting moments suspended between movement and memory. Whether capturing the vibrant energy of a European street café, the grandeur of a stage performance, or the serene ambiance of Polzeath Beach, I am drawn to spaces where people converge, perform, and observe, each immersed in their own quiet narrative.

Rather than mere documentation, I aim to evoke these scenes. Through loose, expressive brushstrokes and layered colours, I blur the lines between figures and their surroundings. Individuals emerge and recede within the texture, mirroring the way memories fade in and out of focus. I prioritise atmosphere over detail—suggesting mood, light, and rhythm.

The city street becomes a stage; the theatre, a mirror of life. In At the Theatre, I position myself within the audience—not observing the stage, but turning outward to make eye contact with the viewer. This reversal disrupts the usual direction of attention, inviting the viewer into the work and implicating them in the act of observation. It reflects my ongoing exploration of presence, perspective, and the subtle tensions between seeing and being seen.

Even in a painting like Polzeath Beach, where figures are strategically placed across the sand or enveloped in the shimmering sea light, the emphasis remains on transient presence—moments poised between reality and memory. My work invites viewers to pause and linger in these spaces: familiar, ephemeral, and just beyond reach. Painting, for me, is a way of holding time still—if only for a moment.
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